I don't love you anymore.
That's what I meant to say, only it came out - See you later.
Your eyes flashed before you glanced away. Even then, you knew. You said nothing, though. You had always been sensitive like that. Still, I should have said it.
We had just finished another of our non-fights. Excruciatingly polite statements that mean nothing and mask nothing. Unable or unwilling to say what we really feel, we say everything else instead. You take a deep breath, a sure sign that you're losing it, and I wash dishes. I know it makes you crazy and, though I hate doing dishes, it gives me a perverse sort of pleasure to push that button.
You exhale, a short staccato sound that speaks volumes, and tell me again that you have to go. I merely nod, dropping a plate into the soapy water with a splash. I hear you hesitate behind me, but I don't turn. Another sigh, softer this time. Rejoicing in my small victory, I turn to you and somehow manage not to flinch away when you drop a kiss on my cheek. As you walk away in your stupid rock tee-shirt and faded black jeans, I feel absolutely nothing.
The door shuts with a click and I immediately pull the plug from the sink and rinse off my hands. You'll see the dishes when you get home but I just cannot make myself care. I grab your keys from where you always leave them and meet you at the door. This time I don't bother to hide my irritation when you come in and stop short, still somehow surprised to find me waiting there.
As soon as you're gone I sit at the kitchen table. The coffee has finished brewing, the scent pungent and comforting, but I don't pour myself a cup. There aren't any clean ones. Expecting a wave of irritation, I stare at the deep red wall, but nothing comes. This wall had caused another one of our non-fights. I had suggested a deep, warm yellow. You wanted red. I gave in, the same way I always do.
I lift a finger, touch the semi-gloss paint, let it drop.
I'm not sure how long I've been sitting here when I hear your key in the door. An hour at least. I stand just in time to see you walk in, still wearing those stupid clothes from high school even though you know I hate them. There's a bag in your hand Dinner. I suppress a sigh as you smile at me, trying to pretend that there's nothing wrong.
You press me back into my chair and start on dinner. You don't ask what I want, but you never do. I think you must be afraid of what you'll learn. You don't mention the dishes as you chop vegetables and saute chicken. The rice is boiling over, but you ignore it. Again.
I stand suddenly and you glance up, face puzzled, as I walk over and pull the rice off the burner. I stalk out of the kitchen, unable to do this even one more time. You're following me, hands fluttering uselessly as you try to figure out how to fix this. To fix us. Ignoring you, I shuffle through a week's worth of mail looking for my keys. I finally find them beneath your notebook - not where I left them. With a deep breath I turn to look at you.
I'll see you later.
That's what I meant to say. It came out - I don't love you anymore.














Comments
You've captured what it's like to *be* there, at that moment.
Perfect. Don't change a thing.
A few more editing touches and this baby will be amazing.
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Some days I write those words, others they write me.
Do you have any specific suggestions on what needs to be changed?
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"Do you see my SMILE in my WORDS, SAD and EVIL? SAD because I am utterly ALONE. EVIL because I am DEAD and yet I LIVE. "
The Crow: J.O'Barr
That's what I meant to say, only it came out, “See you later.”
Maybe instead use a more approachable grammar like – That’s what I meant to say, only it came out – “See you later.” Because the comma here does not provide the right emphasize I think.
Your eyes flashed. You knew, even then. Still, if I said nothing, neither would you.
It is a very confusing line, at the overall picture I would have said that it is fitting IF I felt that the atmosphere you aimed for is that of confusion, but I’m not sure it was intended here specifically. This line seems to be just a bit mashed – what exactly did you try to give out with this instance? Is it her inner conflict or is it supposed to serve the next line - You had always been sensitive like that. I should have said it.
I think that if it’s the latter then it should be a lot clearer and smoother, and if it’s the first then I’m not sure the second line serves this goal.
We had just finished another of our non-fights. Excruciatingly polite statements that meant nothing and masked nothing.
Maybe using “means” and “masks” instead?
Also in the next line the word “meant” is repeated, maybe using a different word here, to make things bigger, more engulfing.
Now comes another thing, which is one of the main contradicting points for me –
The line starts with “we had just finished” and I was thinking – what purpose does it serves? Because by the way it appears it seems as if the reason for that line is casual, just to introduce the scene, to let things not appear out of thin air. But that feels like hurting the edge of the story. So what I think this line is all about throwing you into the story, which means that from here on everything happens now, and not necessarily in the past. Like -
We had just finished another of our non-fights. Excruciatingly polite statements that meant nothing and masked nothing. Unable or unwilling to say what we really meant, we said everything else instead. [and from here on - ] You take a deep breath, a sure sign that you are losing it, and I wash dishes. I know it makes you crazy, and though I hate doing dishes, it gives me a perverse sort of pleasure to push that button.
I’m not sure I’m doing it well, but that’s kinda the point I’m getting it – the little lines should serve a bigger purpose, and I feel that if you will focus down on the purpose of everything here, what is it aimed to serve, that will be the last touch this story is missing. Because plot wise, process, development – everything is done perfectly. The only missing piece is reflecting those in the structure – and that’s what the final touch is all about here. So I think at least.
Well, give this a thought, and tell me what you think. Hope this helps a little
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Some days I write those words, others they write me.
I see what you mean about the little lines and I appreciate that you took so much time to go through this for me. I'll be working on it this weekend. Thank you, Omri!
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Some days I write those words, others they write me.
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